mardi 28 août 2012


Miguel Endara dessine le visage de son père



Je vous conseille vivement de vous jeter sur cette sublime vidéo où l’on peut observer l’artiste Miguel Endara qui dessine le visage de son père juste avec des points, le plus de la vidéo c’est la comptabilisation des points qui atteint 3,2 millions et 210 heures.


Miguel Endara Incroyable vidéo de Miguel Endara qui dessine avec 3,2 millions de points

Miguel Endara 2 Incroyable vidéo de Miguel Endara qui dessine avec 3,2 millions de points

Hand-Cut Paper par Hina Aoyama




Telle de la dentelle en papier



L’artiste Hina Aoyama dit de son travail ultra minutieux qu’il l’apaise, en effet la patience est la meilleure des vertus pour réaliser ces magnifiques découpages, d’une finesse et d’une poésie incroyables.
Hina Aoyama explique que son travail est un mélange entre style traditionnel et moderne. 
Pour en savoir plus sur l’artiste, cliquez-ici


Hand Cut Paper par Hina Aoyama Hand Cut Paper par Hina Aoyama
Hand Cut Paper par Hina Aoyama 2 Hand Cut Paper par Hina Aoyama

soource : http://www.journal-du-design.fr/index.php/art/hand-cut-paper-par-hina-aoyama-24477/

Impressionnantes installations défiant la gravité


L’artiste allemande, Cornelia Konrads, crée des installations hallucinantes in situ dans les espaces publics, parcs et jardins privés à travers le monde. Son travail est souvent ponctué par l’illusion d’apesanteur, où les objets empilés (branche, buche, pierre) semblent être suspendus dans les airs, renforçant le caractère temporaire de l’installation.
Pour en savoir plus sur Cornelia Konrads, cliquez ici.

Land Art Cornelia Konrads Land Art par Cornelia Konrads

Land Art Cornelia Konrads 21 Land Art par Cornelia Konrads


Tablehat by
Hiroyuki Shinozaki Architects


Courtyard gardens bite through the walls of this cafe in Japan by Tokyo studio Hiroyuki Shinozaki Architects (+ slideshow).
Tablehat by Hiroyuki Shinozaki

Glass screens allow views across the courtyards from each of the five dining areas that comprise the Tablehat cafe, some of which are only large enough to accommodate a single table.
Tablehat by Hiroyuki Shinozaki

A wooden roof sits like a series of boxes atop the single-storey building, with openings that let daylight through to the plants and flowers in the courtyards.
Tablehat by Hiroyuki Shinozaki

The cafe was constructed beside the client’s house and a door leads into it from the side of the existing building.
Tablehat by Hiroyuki Shinozaki

Hiroyuki Shinozaki Architects more recently completed a controversial house with holes in the walls and floors.
Tablehat by Hiroyuki Shinozaki







Tablehat
This small cafe is built in the peaceful residential street of Odawara city.

Tablehat by Hiroyuki Shinozaki
If it looks up, there are some on which the air of various sizes is likely to collect.

Tablehat by Hiroyuki Shinozaki
On the scale as shown in a table, they stood in a row superficially and have floated, under them, tables, chairs, plants, and the kitchen are placed.
Tablehat by Hiroyuki Shinozaki

The air as the exterior enclosed by the foundation of concrete and the air of various sizes which collects on it as an inside are making a border of inside and outside in the place with a height of 1.8 m.

Tablehat by Hiroyuki Shinozaki
How to make a border as air of suchinside and outside is tried.
Tablehat by Hiroyuki Shinozaki
Client: individual owner
Location: Kanagawa, Japan
Tablehat by Hiroyuki Shinozaki
Site area: 341.19sqm
Built Area: 49.51sqm
Completion date: September 2011

Tablehat by Hiroyuki Shinozaki
Plan – click above for larger image
Structure: Wood frame and reinforced concrete, 1 storey
Structure engineer: Tatsumi Terado Structural Studio

Tablehat by Hiroyuki Shinozaki
Section – click above for larger image
Producer: Uemura Design Studio
Lighting design: Izumi Okayasu Lighting Design
Contractor: Sensyu, Ltd
Tablehat by Hiroyuki Shinozaki



G Clinic 7f by KORI architecture office
and Arimoto Yushiro


Square openings form a grid of tiny windows through the screens of this clinic for hair restoration and removal in Tokyo by Japanese studio KORI architecture office and architect Arimoto Yushiro (+ slideshow).
G Clinic 7F by KORI architecture office


G Clinic 7f is an extension to an existing clinic, providing a floor that’s dedicated to male patients.
G Clinic 7F by KORI Architecture Office


The perforated screens separate seating areas in the reception and waiting room, where blue, green and black sofas add colour to an otherwise white space.
G Clinic 7F by KORI architecture office


Small squares also pierce holes in the surface of the reception desk and pale grey squares are painted onto the walls.
G Clinic 7F by KORI architecture office


Other clinics we’ve featured include a dental surgery with rounded walls and a clinic in a shopping centre.
G Clinic 7F by KORI architecture office


Photography is by Hiroshi Ueda.
G Clinic 7F by KORI architecture office


Here’s some text from KORI Architecture Office:
G Clinic 7F
After G clinic 8F was open, a doctor expanded floor space to 7th floor only for male hair restoration medical treatment because number of male patients increased more than a doctor expected.

G Clinic 7F by KORI architecture office


As for hair restoration medical treatment, the time doctor spends with a patient is short. So there are many patients who are waiting for consulting and accounting. The voids on MDF(t=15mm) panels are arranged as to control meeting of eyes of patients and staff.
G Clinic 7F by KORI architecture office


Void patterns is expanded on the sliding door, shelfs and wall paper. These layered patterns give feel of depth and sense of privacy.
G Clinic 7F by KORI architecture office


Client: Dr. Kentaro Masaki
Design: Yushiro Arimoto, Maya Nishikori
G Clinic 7F by KORI architecture office
Built Area: 106.83m2
Realization: February 2012

The Museum of Copying by FAT

at Venice Architecture Biennale 2012

The Museum of Copying by FAT at Venice Architecture Biennale 2012


London studio FAT will create an exhibition dedicated to architectural copying inside a 5-metre-high model of Palladio’s Villa Rotunda for the Venice Architecture Biennale 2012 next week.
The Museum of Copying by FAT at Venice Architecture Biennale 2012


A CNC-cut mould will form one quarter of the historic symmetrical building, while a second will be a spray-foam cast taken from inside it. The two quarters will be arranged opposite one another to create the structure, named the Museum of Copying.
The Museum of Copying by FAT at Venice Architecture Biennale 2012

“There is a history of copies of the Villa Rotunda that have been important staging posts for architectural culture,” explains FAT director Sam Jacob. “We hope to extend this history and explore how copying something is, strangely, a way of inventing new forms of architecture.”
The Museum of Copying by FAT at Venice Architecture Biennale 2012

A host of architects including Andrea BranziDenise Scott Brown and Jonathan Sergisonwill exhibit a book filled with photocopies as part of the exhibition and visitors will also be invited to assemble one of their own.
The Museum of Copying by FAT at Venice Architecture Biennale 2012

The installation will be on show as part of the Common Ground exhibition in the Arsenale from 28 August to 25 November. Watch director of the biennale David Chipperfield talk to Dezeen editor-in-chief Marcus Fairs about his theme and the current architecture scene in our movie interview.